Dieter Schnebel: MO-NO


Dieter Schnebel: MO-NO

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Delivery weight: 0.85 kg


Dieter Schnebel about MO-NO

This reading and picture book does not offer literature or eye-catching art for the eyes. Rather, MO-NO is music – a music to read; more precisely: music for one reader. The reading of the book is intended to stimulate music in the listener’s head, so that in being alone in reading – mono –; one becomes the performer of music, makes music for oneself.

This book partly contains texts intended to mislead into the hearing and linking  of passing sounds. “Notice what’s coming in from outside – wind, water, rustling trees – rolling traffic, signals –voices, twittering birds, barking dogs – or that? – gradual change from one to the other – at the same time different transitions erratic, gentle – that’s how it sounded some time ago, yes ...”

In part, the texts describe sounds that can only be  imagined, that is imaginatively generated by the reader: “A silence – where nothing more can be  heard from outside – maybe the tranquility of vast expanse – above the clouds... ocean...” “a piercing and penetrating sound that smears – with the touch of an English horn (in a sad way). Is it the sound of the dentist’s turbine drill, that drives into you... Let’s leave it and go into the microglissando sound of a crane fly that whirs around your head at night ...”

Furthermore, the book contains notes – admittedly not the kind one is used to (which one could play), but rather those which are only revelaed through observation and thus lead to the imagination of unreal sounds.

Some notes awaken the illusion of sounds in the room through perspective, others are deformed and distorted; yet others show a certain inner life, as if some of them grew in tones – small sounds, so to speak mini-sounds. On one sheet is a composition (“Umrisse I”) consisting only of composed pauses, whereby composed silence is offered.

So the book wants to guide the reading listener (the listening reader) to the music of the sounds that  surrounds us, but also to put her/him on the trail of that imaginary music that is constantly forming within us, namely growing out of real as well as unreal sounds.

 

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