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Jo Kondo: Homo audiens

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Contents
 

Translator’s preface

Homo audiens

I       Two interpretations     

        1. ‘The Ninth’ and memory
        2. 4′33″ –
Nature, or ruins
        3. Commentary

II      Homo audiens

        On Otherness in the act of composing music

III     Music as a purposeless act

        1. What is music?
        2. Composition and its purpose

IV     The freedom of interpretation

V       (Coda)

        Afterword

Appendix

1. The art of being ambiguous: From listening to composing
2. Each sound

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